What happens when an artist grows up online, falls in love with electronic music, and decides the usual genre boundaries are optional? Ninajirachi has built a career around that freedom.

The Australian producer has developed a sound that pulls from trance, bloghouse, hyperpop, hardstyle, and the maximalist side of 2010s EDM. Her music can be playful and chaotic one moment, melodic and surprisingly emotional the next. But before I Love My Computer and the growing international attention came the experiments that shaped her sound. She had a couple of early breakthroughs that started putting her name on the map.

Who Is Ninajirachi?

Ninajirachi is the stage name of Australian producer and DJ Nina Wilson, who began making music as a teenager. She adopted the name at 15, inspired by the Pokémon Jirachi, and began developing her production style while immersed in the internet-driven electronic music culture of the time. 

Her music draws from several corners of electronic music rather than following one fixed formula. Trance, hardstyle, bloghouse, hyperpop, and the big, melodic sounds of 2010s EDM all appear in her work. Her 2025 debut album, I Love My Computer, particularly brought those influences together. And it did this all while reflecting on her relationship with technology and the music she discovered through it. 

That relationship with the internet is more than a marketing angle. It is part of the music itself. Tracks such as “iPod Touch,” “CSIRAC,” and ” “Infohazard,” turn memories, technology, and online life into material for electronic music. 

Her path also shows how much the modern electronic scene has changed. An artist can develop a distinctive sound through online communities, release music independently, find an audience across platforms, and eventually carry that sound onto much bigger stages.

But the story starts much earlier.

Early Life and Influences

Ninajirachi began producing music as a teenager. More specifically, electronic music became an important part of how she understood both music and the internet. Her early influences included artists such as SOPHIE. SOPHIE’s experimental approach to sound helped demonstrate how electronic music could be abrasive, playful, emotional, and highly detailed at the same time. 

Porter Robinson was another particularly significant influence. In fact, her first concert was a Porter Robinson show in Sydney when she was a teenager. Years later, that connection came full circle when the two collaborated on “WannaCry” in 2026. 

Those influences help explain some of the contrasts in Ninajirachi’s music. She could take the emotional melodies associated with festival EDM and combine them with stranger textures, heavier electronic sounds, and internet-era production ideas.

Her early work gradually developed that combination into something recognisable. Rather than treating pop, club music, and experimental production as separate worlds, she began pulling pieces from all of them.

That instinct for genre blending would become one of the defining features of her later work.

Breakthrough Moments

Ninajirachi’s rise was gradual rather than the result of one overnight viral moment. Her early releases helped establish her sound, while later projects gave that sound a much larger platform.

Her 2022 album Second Nature marked an important point in that development. The project arrived before her more explicitly pop-facing girl EDM era and helped establish the experimental side of her production. Her 2024 album girl EDM then pushed further into the playful, internet-informed sound that would become central to her identity. 

By 2025, those ideas came together on I Love My Computer, her debut studio album. The album was released on August 8, 2025. It draws heavily on her relationship with technology, her teenage experiences, and the electronic music that shaped her. 

Several tracks make that evolution particularly clear. “iPod Touch” turns an everyday piece of teenage technology into an energetic electronic memory. “CSIRAC” takes its name from Australia’s first computer to play digital music, while “Delete” explores a much more personal side of online life.

Then there is “Fuck My Computer,” whose deliberately chaotic energy captures much of the album’s personality. Alongside it, tracks such as “All I Am,” “Infohazard,” “London Song,” and “All At Once” show how broad her production palette had become.

The album also revealed something important about Ninajirachi’s approach to electronic music. The technology is everywhere. But the songs are ultimately about human experiences: growing up, discovering music online, feeling connected, feeling overwhelmed, and trying to make sense of a world increasingly mediated by screens.

That combination helped turn her from an intriguing young producer into an artist with a much more defined identity.

And her story is still unfolding. In 2026, she joined Porter Robinson for WannaCry, a collaboration that carries an especially personal connection given how important his music was during her teenage years.

Conclusion

Ninajirachi’s early story is less about a sudden transformation and more about a producer gradually figuring out what she wanted electronic music to sound like.

From teenage experiments and internet discovery to Second Nature, girl EDM, and I Love My Computer, each stage added another piece to the sound she is now known for.

Think you’ve figured out what makes Ninajirachi tick? We’ve only scratched the surface. Follow the next chapter of her story on DLK Soulful EDM.